Friday, April 22, 2016

My Queer Erotic City

I was at lunch with a friend yesterday when we heard the news - people started calling, texting, messaging. The first text was from my ride or die - "Prince is dead. Check your Twitter." The first call was from my 30 year old daughter to see if I had heard the news and was okay (she checked on me on and off all day). I'll remember that moment forever. Shock, disbelief, sorrow - and then the beginning of a day of stories - all of our stories, told to each other and over social media - of how Prince shaped our lives, was in our skin, and that we could viscerally feel the doves crying.

Worldwide mourning unfolding, with its epicenter in Prince's hometown and mine, Minneapolis. You can't have lived here over the past decades and not have Prince stories. He was among us and in us. This early morning after, I choose to share my Prince stories as part of our collective story. My stories are mostly on the sidelines, but they are deep and true and lodged inside my broken heart.

Prince was born in 1958 and I was born in 1956. I considered him an age peer and always looked to him as my shining star of how to keep doing you, keep reinventing yourself while never losing your inner core.

I remember the early Prince, who went from Bryant Jr High just blocks from where I then lived to superstar - who was "weird" but making amazing music that only could have been born from here - a mix of rock, pop, R&B and funk. He played very early at the Way, an old North Minneapolis organization that was housed where the 4th Police Precinct now exists. Then he blew up, mostly thanks to Purple Rain.

I remember standing in line at the old Varsity movie theater in Dinkytown to see the world premiere of the movie (is that even right, the world premiere, memory is a hazy thing). That foggy memory says it might have been raining.

During most of the 80s, I was a working, married mom with little kids. I missed all the concerts, the First Ave jams, Paisley Park. But between Raffi and other kid music, I'd play Prince, not shielding my kids' ears from those nasty lyrics and funky, funky dance beats. And we'd all see Prince everywhere - in clubs out to hear local live music, and about town doing his everyday thing. You couldn't live in Mpls and not experience that. We were all so proud of our hometown kid made good. That he launched a sound from Minneapolis that was of us - and it seemed, for us (even if the world loved it too).

Later, in the 90s, Prince became something else for me. I had all his albums and was still listening all the time. His sassy gender fluid self and music that celebrated sex in all its raunchiness stirred something that was just beginning to awaken in me. I was in my 30s and had a good husband and a good life, but something was missing - a thing that shimmered and quaked in songs like Cream, Get Off, and Sexy MF - my queerness. I knew I needed to find a place - the erotic city - where that music and that gender fluidity lived in me and those who surrounded me. And I did, finally, in 1995.

I spent the next decade dancing my heart out in queer clubs two or three nights a week. Prince was part of our soundscape, our love and our sex. Of course straight people had this same experience, but to be inside Mpls's queer erotic city and have those experiences with the people who made me want to "turn your big ass around so I can work on that zipper" was a homecoming. And life giving

I only saw him live once - his Musicology tour. My new girlfriend - who is now my spouse of almost 13 years - took me to see the man I referred to as "my husband" because, well, he was my husband. It was one of my first moments of cognitive disconnect with aging. The arena - Xcel Energy Center - was full of middle aged people like us. I think in our hearts we all were still somewhere in the 80s, but it was 2004. Yet there he was, on fire, in heels and fabulous, playing the hits and the new stuff, seemingly ageless and timeless, and reminding us you are never too old to get your funk on.

For years I was part of a group of friends who threw an annual "HalloQueen" house party, a gay affair where we dragged the night away in amazing, hilarious routines. One year my dear friend Erin and I did a Prince/Madonna medley to Little Red Corvette and Like a Virgin (she was Prince, I was Madonna). It was hysterical and epic. There is video evidence that I'll keep private. My friend passed away from cancer several years ago and I watch that video on occasion when I'm missing her. 

Over these last few years we all started seeing more of Prince out and around town again. At concerts here and there - he even had a table at the Dakota. More parties at Paisley Park. I was now free to go, but I still didn't. Most of my friends were wanting to stay in more, stay out late less, and if I'm brutally honest, I was right there, too. But reflecting back, I wish I had found my small crew of Prince peeps who would on occasion be willing to stay up all night for a chance to see his royal purple highness and eat pancakes.

I almost pressed "purchase" for his one of his three surprise gigs at the Dakota a couple years back, and recently, for his Piano and a Microphone Tour. But I didn't. Mostly I don't believe in regrets, yet this morning I regret those choices - or regret not working harder at calling friends who surely would have gone.

And finally, we are back to last night. After work, I was compelled to hop on the light rail, go downtown to First Ave and pay my respects with fellow fans. I wore the Prince jacket I made years ago and even had someone snap a photo of me in it in front of his star. I watched the crew setting up for the street party going down a couple hours later, but ended up going home. Looking at photos and videos this morning from that street party and the all night dance party inside First Ave (that is just winding down as I type this), I have this feeling of missing out, again. I have no one to blame but myself.

I have to catch myself from falling too far into the melancholic nostalgia that has been washing through me on this week of turning 60 - of knowing that what's ahead is uncertain and certainly too short. Most of my decades with Prince were intimate - in my home listening to music, or dancing at clubs or house parties. So my pilgrimage to First Ave alone and heading home before dark was perhaps my perfect goodbye to Prince the person. There is comfort in knowing his legacy and music lives on for all of us. Just last week I made a playlist (once we called them mixtapes) to celebrate my six decades of living, and the first song on it? Sexy MF. Of course. And Erotic City is there too, right in the middle, just as it was in my life. That Prince died just a few days later is unbelievable to me. And a reminder to us all - say yes more than no, hit purchase if you really want to go, or be okay chilling at home. Do whatever is in your heart. And most of all, do you.

Thank you, Prince.

Prince covering Joni Mitchell's A Case of You 
You're in my blood like holy wine/you taste so bitter and so sweet/I could drink a case of you, darling, and still be on my feet/still be on my feet.






Friday, April 15, 2016

Silver Sixties - A Playlist for Living!

Celebrating the soundtrack of my life.



1. Sexy M.F., Prince   
2. Free Your Mind, En Vogue   
3. Happy, Pharrell Williams   
4. Got to Give It Up. Marvin Gaye
5. Family Affair, Sly & The Family Stone   
6. Now That We Found Love, Heavy D & The Boyz
7. Q.U.E.E.N. (feat. Erykah Badu), Janelle Monáe   
8. Shame (feat. Eve & The A Group), Jill Scott   
7. Mas Que Nada (feat. The Black Eyed Peas), Sergio Mendes   
8. Funkin' for Jamaica, Tom Browne       
9. Boogie on Reggae Woman, Stevie Wonder   
10. Boogie Oogie Oogie, A Taste of Honey   
11. Blame It On The Boogie, The Jacksons   
12. Sexual Healing, Max A Million              
13. Erotic City, Prince              
14. I Love the Nightlife (Disco 'Round), Alicia Bridges   
15. Dancing Machine, Jackson 5  
16. P.Y.T. (Pretty Young Thing), Michael Jackson   
17. Love And Happiness, Al Green   
18. Let's Stay Together, Al Green   
19. We Trying to Stay Alive, Wyclef Jean               
18. If You Want Me to Stay, Sly & The Family Stone   
19. Aquarius/Let the Sunshine In, The 5th Dimension   
20. Supermoon, Zap Mama   
21. Safiatou (f/Santana and Angelique Kidjo)       
22. Say Hey (I Love You), Michael Franti & Spearhead
23. Golden, Jill Scott  
24. Green Garden, Laura Mvula   
25. The Rain, Jill Scott & Will Smith   
26. As, Stevie Wonder   
27. Overjoyed, Stevie Wonder   
28. Simply Beautiful, Queen Latifah   
29. Everybody Loves the Sunshine, Roy Ayers  
30. Up Above My Head (I Hear Music In the Air), Ruthie Foster   
31. In The Morning, Nina Simone   
32. Three Little Birds, Bob Marley & The Wailers   
33. Lovely Day, Bill Withers   
34. Seasons of Love, Rent   
35. Don't Worry Be Happy, Bobby McFerrin   
36. Happy Birthday, Stevie Wonder

37. Dance Me to the End of Love, Leonard Cohen   









Monday, February 8, 2016

Talking #Formation #QueenBey

In case you missed it, or have already watched it 100 times, watch (again):


As I posted to Facebook this weekend:
All hail the queen. I can't say anything more than everyone on the interwebs already has and will, and I feel kind of unqualified to be saying how pro-Black, pro-Black woman, pro-Black queerness this is, and the politics, the 40 lines to quote, the references, how the ancestors must be fist raising/fist bumping, Nola, and Blue Ivy, but OMG!!!!!
As a white woman, this song is not about me, or for me. I couldn't find the words to say that until a friend shared this:

Formation doesn't include me - and that's just fine.
"It’s time for us to stop singing along — to Formation, to Kendrick Lamar’s Alright, to any song that has the N-word or celebrates blackness in a way we will never understand."
So in that spirit, I'm cheering from the bleachers while reading some amazing posts. Here's a few.

We Slay, Part 1 

Beyonce Gets Political, and I Get Snatched Bald: An Overview of Themes and Motifs in the Formation Music Video

Beyoncé’s “Formation” is Two Middle Fingers to the Sky in Celebration of Black America

Beyonce Is The New Black: The 10 Blackest Moments In Beyonce’s “Formation” Video

Beyonce's Formation is Her Best Thing Yet and it's the IDGAF Anthem 

Beyonce’s New Video Formation is a Big Political Ratchet Mess, and That’s What Being Unapologetically Black is All About

Beyoncé as Conjure Woman: Reclaiming the Magic of Black Lives (That) Matter

And then came the Superbowl: 
 
Beyoncé didn’t just steal the Super Bowl halftime show. She made it a political act.



And the tweets - please take to Twitter to see the best of the best in 140 characters. Try the hashtags #Formation and #QueenBey for starters.

And the GIFS:

https://media.giphy.com/media/l4KhPQJWAw3mLyU5a/giphy.gif


image

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And a World Tour. That supports the Flint water crisis.



Thank you, Queen.



Friday, February 5, 2016

Last night I dreamed of Sonia Sanchez

Last night I dreamed of you

Spitting poetry with razors between your teeth

Harlem

Black

Arts

Movement

Revolution

Jazz

Spoken Word

Form

Hip Hop

Love

Philly

Peace

Octogenarian
re-imagining yourself again and again
fiercely relevant 

Still here

I dreamed you were flowing in a river of revolutionary artists
who came before you
came with you
who were born of you

This poem should be a haiku in your honor

Instead I offer this

Recently visiting Harlem with my child of my child
we shared space with one of your 
revolutionary 
artist 
offspring

Grateful to be invited in

We walked those hallowed streets
my child of my child 
and me

Did she feel the vibrations 
did she know 
as we ate at Popeyes on 125th street
sat high in the balcony of the Apollo
and took the train at 155th
that she is one of the ones we've been waiting for

That she can love the razors forming between her teeth
to create beauty
to change the world
to breathe






Feb, 2016


Inspired by the film BaddDDD Sonia Sanchez

Sunday, September 13, 2015

Thank you, Serena




I've been loving Serena Williams for a long time now. Ever since the 90s, when she and her sister Venus came on the pro tennis scene and changed the game forever, with their fierce play, take-no-crap father, and clickity-clack beaded braids announcing to the stuffy, mostly white tennis world, "We are here, we're going to win, we're doing it our way, and nothing is going to stop us."


I watch tennis because of Serena. She is the best tennis player ever, and I doubt we will see another player like her in my lifetime. And she achieved it all while also bearing weight of - and slaying - the racism and sexism that follows her no matter how far her star rises. 

I would love to know what it's like to be her, to occupy a body, mind and soul that has perfectly combined hard work, talent, and the desire to be the best. I can think of no other body as beautiful, as perfect as hers. I can think of no other tennis player as exciting to watch.





But Serena and her sister are so much more than tennis. For over two decades they have been an inspiration to girls and women everywhere, and especially to Black girls and women - tennis fans or otherwise. This article sums it up well.


Read the whole article, but this: 
Before Beats By Dre and Nike were clamoring for her endorsement, or she was posing for paparazzi photos with Kim Kardashian, millions of black women knew and loved  'Rena, ReRe or "my girl," their terms of endearment for Serena Williams.
Serena, in all her #BlackGirlMagic glory, was first worshipped by the legions of girls and women who saw themselves in the determined, hardworking and charming phenom from Compton, California. It's these women who are among those cheering the loudest for Serena, because for them, she has already won.
They scream for her on and off the court because her magazine covers, Instagram posts and images of her with braids, beads, wearing catsuits or bikinis, are a different kind of victory for the woman many of them consider the epitome of beauty and excellence. For them, looking at Serena Williams is like looking into a mirror that affirms their own bodies and skin color.
As a white woman, I can only imagine the depth of that soul connection, given my own hard-core fandom. I remember sitting my daughter and son down in front of the television in the 90s to watch young Serena and Venus play - wanting them to see themselves in Serena's and Venus's authenticity and fierce talent. To have them drink in, whether they played tennis or not, "This can be you. You can do anything you set your mind to." And, maybe most important, "You don't have to lose yourself to find greatness. Do you. Stay true."

#Blackgirlmagic.

Thank you, Serena. You may have lost the US Open and your four-Grand-Slams-in-a-season dream for this year, but for millions of your fans, you remain our champion and shining star.




Watch this video, Serena Williams - Rise. It may be a commercial, but it says it all.